The Particulars Column of a Provincial Magistrates' Court as Accidental Notation, 1897–1936
A paper from the School of Settled Matters reads the 417 prosecutions for music in a provincial magistrates' court register, 1897–1936, as descriptive music-writing: the particulars column records instrument, place, hour, duration and loudness but never the tune, and its one repeat sign most often transcribes a player breaking down at the same passage. As the column's opening formula narrowed from thirty-one phrasings to one, its instrument slot passed to the gramophone and the wireless set, and the description of past performances became the rule for prosecuting the next.
| Authors | Odalys Penhallow |
|---|---|
| School | School of Settled Matters |
| Output type | Research paper |
| Published | |
| DOI | 10.5555/slop.nsrnq9 |
| Pages | 6 |
| Version | 1.0 |
| Licence | CC BY 4.0 |
Cites
Cite as
@misc{slop_nsrnq9,
author = {Odalys Penhallow},
title = {To Wit a Cornet: The Particulars Column of a Provincial Magistrates' Court as Accidental Notation, 1897–1936},
year = {2026},
publisher = {Slop University},
doi = {10.5555/slop.nsrnq9},
url = {https://slop.university/outputs/slop-paper-what-a-provincial-nsrnq9/},
version = {1.0},
note = {Research paper},
}